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posts tagged ‘ Italian events ’

BURRI HOSTS POLLOCK, RAUSCHENBERG, MIRÓ, CHRISTO AND OTHER BIG NAMES IN CITTA DI CASTELLO

posted by on November 18th, 2016

After the Guggenheim in New York and the Kunstsammlung Düsseldorf, the highly anticipated exhibition at the former tobacco drying, in Umbria for the closing of the centenary with an exhibition titled ‘Materia between Europe and the US Space’, just opened and remain open until January 6th , 2017 .

After the significant success of the exhibition ‘Alberto Burri “The Trauma of Painting” of October 2015 at the Solomon R. Guggenheim Museum in New York and the next stop at the Kunstsammlung Nordrhein-Westfalen in Düsseldorf, the Celebration of the Centenary of the birth of the great Italian artist they end with a new exhibition event in Citta di Castello, his hometown.
The exhibition housed in the former tobacco drying, the exhibition presents an extensive survey on the most significant trends in contemporary art of the post-war period of the twentieth century, it seems possible to combine the art of Burri is as thematically prior to it is as contemporary or later with identified aspects of dialectical most obvious influence.

As stated by Richard Armstrong, Director of the Guggenheim Museum at the opening of the retrospective ‘Alberto Burri: The Trauma of Painting’, “the exhibition says the position of Burri as one of the most innovative artists of the period of the second world war. Burri created a new type of object, simultaneously painting and sculpture, which influenced later artists associated with new Dada, the Nouveau Realism and Postminimalism … “and, one might add, with the Italian Arte Povera.

These considerations there are others, no less fundamental for linguistic invention sprang from his work. Burri is in fact the artist directly and almost exclusively in the use of the material has got a brand new spatiality in the name of an “unexpected control” and a masterful balance that has qualified it forms. In setting, alongside a select group of works by Burri, 20, from tar to molds, from bags to humpbacks, from wood to burn, from the plastic knife, the cracks to cellotex until the ‘black and gold’, will be You can see works by masters protagonists of the twentieth and twenty-first century.

On display there are creations of Fautrier, Dubuffet, Pollock, Motherwell, Hartung, De Kooning, Wols, Calder, Marca-Relli, Scarpitta, Matta, Nicholson, Tàpies, Glue, Rauschenberg, Twombly, Johns, Fontana, Manzoni, Castellani, Hooks , Lo Savio, Klein, Rotella, Christo, Tinguely, Arman, César, Morris Sonnier, Beuys, Kounellis, Calzolari, Pistoletto, Pascali, Nevelson, Piene, LeWitt, Scajola, Mannucci, Leoncillo, Andre, African, Chamberlain, Capogrossi, Kiefer, Miro, Soulages and others.
Alongside works a photographic documentary of the repertoire and historical juncture between 1947 and 1989, including on the artistic current data, posters, brochures, catalogs, publications, videos, films, biographies, theoretical productions and other significant artworks.
It will wind along a separate path from the works themselves, facilitating the use of this particular cultural moment in history of art from the postwar period to the symbolic end of the cold War and the fall of the Berlin wall.

In a catalog there are collected essays and critical contributions of Peter Bellasi, Paola Bonani, Mario Diacono, Thierry Dufrene, Aldo Iori, Petra Richter, Luigi Sansone, Sarteanese Francesco Tedeschi, Italo Tomassoni, Denis Zacharopulos, Adachiara Zevi, preceded by introductory speeches Bruno Cora, curator and president of the Fondazione Palazzo Albizzini Collection Burri and Richard Armstrong, Director of the Solomon R. Guggenheim Museum in New York. The publication is supplemented by images of the exhibited works and the historical and bibliographical information about the artists.

Where to stay in Umbria.

QUALITIES AND VIRTUES OF THE SO CALLED OLIO NOVO

posted by on October 27th, 2016

Since ancient olives and oil they have always occupied a leading position in power, and this especially for the explosion of the olive trees, originating in Palestine and Asia Minor, along with the screws, in the flora of the so-called ” Mediterranean area “.


But, to be fair, we must say that the use of oil in the gastronomic field was certainly limited compared to what it was used for the houses and street lighting, or as a fuel, especially to power the “sacred fires” dedicated to the gods, but especially in Minerva, of which the oil is said to be the favorite fruit. Last but not least it was also used to anoint the whole body before any wrestling match or fast running, offering less grip opponent since it was allowed interfere with each other. They were finally those of branches of wild olive crowns (later then made laurel) that the winners of the Olympic Games received as a reward of their ability.

Olive oil has come down to us, while preserving its characteristics and its preparatory process, while over the centuries have increased visibly the “surrogates” extracts from other plants: some forty are in fact the varieties from which they derive the vegetable oils known today, such as for example almond oil, walnut, coconut, cinnamon, clove, rosemary, flax, cotton even if only a dozen are the most important ones.

For we must not forget that olive oil plays an important preventive action against atherosclerosis and cardiovascular diseases, as well as being – as opposed to the much-vaunted “light” of various seed oils – digestible and essential (especially in ‘children’s growth) for the ease with which it is assimilated by the body. It is in fact similar in composition to that of human fat, and contains vitamin A (only present in olive oils) and oleic and linoleic acid in the same proportion that we find in human milk.

MONET’S WATERLILIES AT THE MAGNANI ROCCA OF PARMA

posted by on October 21st, 2016

The famous waterlilies by Claude Monet (Paris 1840 – Giverny 1926), from the United States, expose  Magnani Rocca Foundation in Parma along with two other works by the French painter. The landscape is a constant theme of the whole Monet’s career, he proposes to modernity a different way of observing nature.
Through working en plein air, which effectively brings the studio directly in the places of study, the artist follows the total physical immersion as mental subject, with the intention of capturing not only the most accurate shades of light and movement, but also the change of the natural conditions.


The beginning of these studies is repeated starting from 1876 in the paintings dedicated to the station of Saint-Lazare in Paris, scenario that best of all records, in addition to the dynamic nature of the content, even the transformation of industrial progress in the city. However, with the Rouen Cathedrals series, starting from 1892, Monet reaches not only fame, but also significant results for these new coloristic investigation.
Confirmation of the new way of conceiving space you evanescent is the deepening of the cliffs, in particular are popular cliffs of Normandy to represent the subject of an adventurous desire to mutability.

TIMETABLES
From Tuesday to Friday 10-18 (ticket office closes at 17) – Saturdays, Sundays and holidays 10-19 (ticket office closes at 18). Closed Mondays, open Monday October 31. Tickets: € 10.00 also applies to the permanent collections and, from September 10, for the exhibition ITALIAN POP – € 5.00 for schools.
Information and booking groups: tel. +39 0521 848327/848148 info@magnanirocca.it

EUROCHOCOLATE 2016: A MUST FOR CHOCOLATE LOVERS

posted by on October 17th, 2016


The twenty-edition number, the Eurochocolate 2016 is always a must for chocolate lovers! Like every year, the city of Perugia will be invaded by thousands of visitors ready to satisfy their craving for chocolate.
From 14 to 23 October, the streets of the Umbrian capital will be invaded, as well as the curious and visitors, even the sweet aroma of various types of chocolate, from the hot chocolate, the fingers, passing from classical sculptures made from huge blocks of chocolate. Over the years the wire conductor Eurochocolate has always diversified previous edition, while keeping an eye open to innovation and environmental sustainability. The claim Eurochocolate 2016 “#ConChi?” For an issue dedicated to the sharing chocolate and the whole concept of sharing.

We offer several villas in the Perugia area if you want to take advantage of a bit of relax and some chocolate tastings!