BURRI HOSTS POLLOCK, RAUSCHENBERG, MIRÓ, CHRISTO AND OTHER BIG NAMES IN CITTA DI CASTELLO
After the Guggenheim in New York and the Kunstsammlung Düsseldorf, the highly anticipated exhibition at the former tobacco drying, in Umbria for the closing of the centenary with an exhibition titled ‘Materia between Europe and the US Space’, just opened and remain open until January 6th , 2017 .
After the significant success of the exhibition ‘Alberto Burri “The Trauma of Painting” of October 2015 at the Solomon R. Guggenheim Museum in New York and the next stop at the Kunstsammlung Nordrhein-Westfalen in Düsseldorf, the Celebration of the Centenary of the birth of the great Italian artist they end with a new exhibition event in Citta di Castello, his hometown.
The exhibition housed in the former tobacco drying, the exhibition presents an extensive survey on the most significant trends in contemporary art of the post-war period of the twentieth century, it seems possible to combine the art of Burri is as thematically prior to it is as contemporary or later with identified aspects of dialectical most obvious influence.
As stated by Richard Armstrong, Director of the Guggenheim Museum at the opening of the retrospective ‘Alberto Burri: The Trauma of Painting’, “the exhibition says the position of Burri as one of the most innovative artists of the period of the second world war. Burri created a new type of object, simultaneously painting and sculpture, which influenced later artists associated with new Dada, the Nouveau Realism and Postminimalism … “and, one might add, with the Italian Arte Povera.
These considerations there are others, no less fundamental for linguistic invention sprang from his work. Burri is in fact the artist directly and almost exclusively in the use of the material has got a brand new spatiality in the name of an “unexpected control” and a masterful balance that has qualified it forms. In setting, alongside a select group of works by Burri, 20, from tar to molds, from bags to humpbacks, from wood to burn, from the plastic knife, the cracks to cellotex until the ‘black and gold’, will be You can see works by masters protagonists of the twentieth and twenty-first century.
On display there are creations of Fautrier, Dubuffet, Pollock, Motherwell, Hartung, De Kooning, Wols, Calder, Marca-Relli, Scarpitta, Matta, Nicholson, Tàpies, Glue, Rauschenberg, Twombly, Johns, Fontana, Manzoni, Castellani, Hooks , Lo Savio, Klein, Rotella, Christo, Tinguely, Arman, César, Morris Sonnier, Beuys, Kounellis, Calzolari, Pistoletto, Pascali, Nevelson, Piene, LeWitt, Scajola, Mannucci, Leoncillo, Andre, African, Chamberlain, Capogrossi, Kiefer, Miro, Soulages and others.
Alongside works a photographic documentary of the repertoire and historical juncture between 1947 and 1989, including on the artistic current data, posters, brochures, catalogs, publications, videos, films, biographies, theoretical productions and other significant artworks.
It will wind along a separate path from the works themselves, facilitating the use of this particular cultural moment in history of art from the postwar period to the symbolic end of the cold War and the fall of the Berlin wall.
In a catalog there are collected essays and critical contributions of Peter Bellasi, Paola Bonani, Mario Diacono, Thierry Dufrene, Aldo Iori, Petra Richter, Luigi Sansone, Sarteanese Francesco Tedeschi, Italo Tomassoni, Denis Zacharopulos, Adachiara Zevi, preceded by introductory speeches Bruno Cora, curator and president of the Fondazione Palazzo Albizzini Collection Burri and Richard Armstrong, Director of the Solomon R. Guggenheim Museum in New York. The publication is supplemented by images of the exhibited works and the historical and bibliographical information about the artists.
Where to stay in Umbria.